Frederica Nascimento
AT A NOISE WITHIN:
2024-25 Season: Scenic Design, The Skin of Our Teeth
Previous Season: Scenic Design, The Book of Will, A Midsummer Night’s Dream, All’s Well That Ends Well, The Winter’s Tale, Alice in Wonderland, Argonautika, Othello, Rosencrantz and Guildenstern Are Dead, Henry V, Ah, Wilderness!, The Maids, Arcadia, Six Characters in Search of an Author, All My Sons, Antigone, Julius Caesar, The Threepenny Opera, The Tempest, Tartuffe.
ELSEWHERE: Works in theatre, film, and multidisciplinary design in the US and internationally. Being an architect informs her work with a focus on materiality, storytelling and conceptual thinking, creating spaces and environments that are alive and empowered by collaboration. MFA in Scenic and Production Design for Film at NYU/TSOA, scholar with Calouste Gulbenkian Foundation, member of the Portuguese Architects Association, Usual Suspect at New York Theatre Workshop, Resident Artist at A Noise Within, USA 829/IATSE. Faculty at LA Pierce College, LA Southwest College, and CSUN. Nominated for NAACP, Ovation and LADCC Awards. Frederica received the Los Angeles Drama Critics Circle Award 2020-2021 in Best Set Design for An Octoroon at the Fountain Theatre. Recent designs: Ghosts directed by Bart DeLorenzo (Odyssey Theatre), Love And Information directed by Emily Chase (Antaeus Theatre), Picnic directed by John Farmanesh-Bocca (Odyssey Theatre).
IG:@fredericanascimentodesign