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A Noise Within
Romeo and Juliet Scenic Design: Why the dolls?
In post-show conversations and survey responses, we’ve received a few inquiries about the dolls used on our production of Romeo and Juliet. Now, scenic and costume designer, Angela Balogh Calin shares her thought process. In Romeo and Juliet, we use the dolls to visually underscore Juliet’s lost innocence. We constantly forget how young Juliet is…
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A Noise Within
Meet Will Bradley!
Figaro‘s funny Cherubin last spring is now the Bard’s leading man. Will Bradley made his ANW debut in Figaro, about which Stage Raw wrote, “Bradley could hardly make for a more appealingly frisky Cherubin.” Now he takes on one of the stage’s great roles as Romeo in Shakespeare’s Romeo and Juliet. We talked to the…
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A Noise Within
SOUND, DESIGNED: Composer Martín Carrillo revisits Romeo and Juliet
An Ovation Award™ winner for his sound design for Romeo and Juliet at Boston Court in 2004, Martín Carrillo returns to the iconic play with fresh ideas and compositions at ANW this spring. This will be Martín’s sophomore appearance at ANW following his highly lauded work on Jean Anouilh’s Antigone earlier this season. Now he…
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A Noise Within
Meet our Juliet!
Newcomer stars as Juliet in her first performance at ANW Born and raised in Galway, Ireland, Donnla Hughes barely stepped off a plane at LAX before she was cast as an understudy in the Geffen’s production of Outside Mullingar. In similarly short order—yet after an extensive search process—Donnla was picked as our Juliet. A bachelor’s…
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A Noise Within
THE PERFECT VALENTINE: ROMEO AND JULIET
Dámaso Rodríguez brings his thrilling interpretation of Romeo and Juliet to ANW’s Redmond Stage beginning February 14. A graduate of our Professional Directing Internship, Dámaso is artistic director of Portland’s Artists Repertory Theatre. Prior to joining Artists Rep, he served as associate artistic director of the Pasadena Playhouse and co-artistic director Los Angeles’ Furious Theatre….
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Romeo and Juliet
